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Reviews rated at 2 glooms

The Unfulfilling Finale

JoVo

Dead Like Me: Life After Death
directed by Stephen Herek
posted by JoVo

GloomGloom

 
Review Image: 0910231902

The long-awaited finale to the (sadly) unpopular TV series Dead Like Me had me aching to watch it. My daughter hadn't seen the series yet, so I had to wait the several weeks it took her to mull through the series itself before I could watch it jointly with the rest of my family. Dead Like Me was an insightful, existential drama about Georgia and her motley of Reapers coming to terms with the inevitability and fear of death, allowing them to find meaning in life, or unlife, as the case may be.

Then there was the movie. We sat down to watch it with excitement. Thirty minutes through, my roommate stood up and left the show, lambasting the movie for its violations of continuity. By that point, my daughter and I had relegated to ourselves the arduous task of watching the remainder of the movie. Ultimately, I was extremely disappointed with the movie, not for its production value but for its contents.

Ellen Muth reprises her role as Georgia Lass, and she is as wonderfully sardonic as always. Of all the characters, however, she is the only one that is continues to play her character in character.. Although it might be said that Mason (Callum Blue) and Daisy Adair (whoever-that-person-was-that-took-Laura-Harris's-part) did exactly what they would have otherwise done throughout the movie, Roxy Harvey (Jasmine Guy) behaved completely out of character. Roxy was a matter-of-fact, by-the-book, tough-as-nails meter maid. With one exception in the series, she never once betrayed the rules that Rube (Mandy Patinkin) had set out for the others. In the movie, she betrays all of them with one, simple bribe. It's as if the characters all forgot who they were.

The storyline revolving around Reggie (Britt McKillip) was maudlin, but sweet since Reggie has always been a melodramatic character carrying an obsession with death. Joy Lass (Cynthia Stevenson) is as delightfully confused and emotionally blind as always, a trait that made her character likeable and inimitably human. I was glad to see Clancy Lass (Greg Kean) go. Kean never performed his role poorly, but his character was an unsalvageably awful person.

Sarah Wynter, the new Daisy Adair, was unlikeable and two-dimensional. All of the progress the character had made throughout the series was wiped from existence. Her performance, and her presence in the film, was almost intolerable. Rube Sofer's absence from the film was a sad change as well, but an important part of its premise. The movie begins when Der Waffle Haus burns to the ground on the same day that Rube "got his lights." This absent and spontaneous event continues the TV show's theme of loss and the suddenness and inexplicability of death. I wished that Daisy had "gotten her lights" too; without Harris, it's as if we lost the original Daisy, having her replaced by an entirely different and vomit-inducing character.

Rube was replaced by Cameron Kane, played by Battlestar Galactica's Henry Ian Cusick. Cusick seems to have been typecast as an evil, arrogant bastard because both Cameron and Gaius Baltar may as well have been the same character. With one exception: Cameron was a flat character (more akin to Baltar during the first season of Galactica) and apparently very, very stupid. Apparently Seattle is the most important city in the world because the events that take place there... Well, that's more appropriate for the spoilers section, if you're still interested in suffering this movie despite my review.

 

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